Towards an interpretation of Chinese art
23 May 2011The purpose of this article is to attempt an interpretation of the philosophical underpinning of Chinese art. In order to elucidate the meditative basis of Chinese art, western concepts which are considered to be complementary to those of the Chinese, especially those proposed by Martin Heidegger and Gaston Bachelard, are used to facilitate the interpretation of Chinese aesthetics.
Authors: | Mare, Estelle Alma |
Institution: | University of Pretoria |
Keywords: | Chinese art, Chinese aesthetics, Heidegger, Martin, 1889-1976, Bachelard, Gaston, 1884-1962, Philosophy of art, Chinese art, Chinese aesthetics, Heidegger, Martin, 1889-1976, Bachelard, Gaston, 1884-1962, Philosophy of art, Chinese art, Chinese aesthetics, Heidegger, Martin, 1889-1976, Bachelard, Gaston, 1884-1962, Philosophy of art, Chinese art, Chinese aesthetics, Heidegger, Martin, 1889-1976, Bachelard, Gaston, 1884-1962, Philosophy of art, Chinese art, Chinese aesthetics, Heidegger, Martin, 1889-1976, Bachelard, Gaston, 1884-1962, Philosophy of art, Chinese art, Chinese aesthetics, Heidegger, Martin, 1889-1976, Bachelard, Gaston, 1884-1962, Philosophy of art, Chinese art, Chinese aesthetics, Heidegger, Martin, 1889-1976, Bachelard, Gaston, 1884-1962, Philosophy of art, Chinese art, Chinese aesthetics, Heidegger, Martin, 1889-1976, Bachelard, Gaston, 1884-1962, Philosophy of art, Chinese art, Chinese aesthetics, Heidegger, Martin, 1889-1976, Bachelard, Gaston, 1884-1962, Philosophy of art |