Revisiting the sublime in painting

21 Jul 2010

The author uses several paintings to demonstrate his understanding of the experience of the sublime in art.

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http://hdl.handle.net/2263/14520

Authors:	Olivier, Bert
Institution:	University of Pretoria
Keywords:	The sublime, Painting, Philosophy of art, Kant, Immanuel, 1724-1804, Lyotard, Jean-Francois, 1924-1998, Aesthetics, "Cultural knowledge", The sublime, Painting, Philosophy of art, Kant, Immanuel, 1724-1804, Lyotard, Jean-Francois, 1924-1998, Aesthetics, "Cultural knowledge", The sublime, Painting, Philosophy of art, Kant, Immanuel, 1724-1804, Lyotard, Jean-Francois, 1924-1998, Aesthetics, "Cultural knowledge", The sublime, Painting, Philosophy of art, Kant, Immanuel, 1724-1804, Lyotard, Jean-Francois, 1924-1998, Aesthetics, "Cultural knowledge", The sublime, Painting, Philosophy of art, Kant, Immanuel, 1724-1804, Lyotard, Jean-Francois, 1924-1998, Aesthetics, "Cultural knowledge", The sublime, Painting, Philosophy of art, Kant, Immanuel, 1724-1804, Lyotard, Jean-Francois, 1924-1998, Aesthetics, "Cultural knowledge", The sublime, Painting, Philosophy of art, Kant, Immanuel, 1724-1804, Lyotard, Jean-Francois, 1924-1998, Aesthetics, "Cultural knowledge", The sublime, Painting, Philosophy of art, Kant, Immanuel, 1724-1804, Lyotard, Jean-Francois, 1924-1998, Aesthetics, "Cultural knowledge", The sublime, Painting, Philosophy of art, Kant, Immanuel, 1724-1804, Lyotard, Jean-Francois, 1924-1998, Aesthetics, "Cultural knowledge"